Mangione: The Story Behind the Story by John H Richardson – Understanding a Criminal?
On the fifth of December 2024, a major newspaper published the headline “Insurance CEO Gunned Down In Manhattan”. The article then noted that Brian Thompson was “shot in the back in Midtown Manhattan by a assailant who then walked coolly away”. The murder in broad daylight was truly cold and shocking. But numerous US citizens had a different response: for those who faced insurance rejections or struggled with medical bills, the news felt cathartic. Online platforms erupted. One post read: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the AI algorithm the insurance company created to increase earnings on your health.”
Less than a week after, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania graduate with a graduate degree in computing, was arrested at a McDonald’s in Altoona, Pennsylvania. He awaits trial on federal and state charges of murder, with prosecutors seeking the capital punishment. So who is Mangione? And what drove the alleged crime? These are the issues John H Richardson attempts to answer in an inquiry that delves into wider topics, too.
Understanding the Person
A journalist for Esquire magazine, Richardson spent years researching the communities that lurk in the dark corners of the internet, writing stories about people “plagued by genuine concerns about an apocalyptic future”. To reveal “the making” of his subject, Richardson first reviews Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of 295 books on Goodreads”. Their content ranged from climate change to masculinity, along with a “emphasis on his own personal growth, both physical and mental”. Additionally, Richardson analyzes his communications with online personalities and authors as well as his many posts on social media. These primary sources, intended to depict a picture of Mangione, instead render him an amorphous figure. Richardson attempts to explain this by proposing that “Luigi’s elusiveness, in fact, is what gives him a little of that old deceiver’s charm”. Throughout the book, Richardson attempts to cast his subject in symbolic roles.
Mangione is profoundly worried about the world around him, one where ‘change is rapid whether we like it or not’
Interpreting the Incident
As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “deny” and “depose”, etched on the bullets left behind at the crime scene. These are the terms occasionally employed by medical insurers to reject claims. He examines the indication Mangione had a chronic back condition, which might have provided motive for an attack, but finds no proof; instead, what significance there is seems to lie in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to eventually either take control, or destroy us, or both.
Missing Pieces
Conspicuous by their absence from the book are conversations with the principal actors. Richardson asked, of course, but never expected access to Mangione himself. And his family stated explicitly that they had chosen not to talk to the press in prior to the trial. Another glaring gap is any significant information about the deceased, Thompson, though we learn that under his guidance, from 2021 to 2023, company earnings rose significantly.
Unclear Conclusions
By the conclusion, the reader has no clear understanding of Mangione’s character or what might have motivated his alleged crimes. Worse still, Richardson’s apparent empathy for him gives the reader the disturbing feeling of having been privy to a veiled endorsement of an targeted killing. In the book’s closing remarks, Richardson delivers his mythical interpretation: “We’ve entered a era of stories, the insane ruler, the beast in the labyrinth and the emperor without clothes.” In that tale “outlaw heroes come with a appealing vow … They arrive in periods of unrest, when the people are suffering and nothing makes sense anymore.”
One thing is certain: as Mangione’s defence team continues in its attempts have accusations that could lead to the ultimate sentence thrown out, any mention of myths, Robin Hoods, heroes or villains will not be allowed in court in support for this handsome young man with a “jawline … and lips … out of a Caravaggio painting” soon to be on trial for murder.